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Grey Fox

A mature search for style. Fashion and menswear for all men.

Showing posts from category: vintage clothes

The Turner Twins Interviewed: Comparing Old and New Expedition Clothing

Tuesday, 20 February 2018

I've written before about my interest in natural and heritage fabrics, cotton and wool cloths, and their use in outdoor wear. I recently met explorers Hugo and Ross Turner at an event held by Breitling, for whom they are brand ambassadors. The twins started their adventures after Hugo broke his neck in a diving accident at the age of 17. The drive and determination needed to recover spilled over into a desire to seek adventure around the world. In doing so they support spinal research charities, including Wings for Life (all links below). 

The Turner Twins compare old and new styles of outdoor clothing

Hugo and Ross told me about two expeditions in which they tested the types of traditional clothes worn by explorers of a century ago using cotton and wool cloths and knitwear. In one they set out to cross Greenland on foot recreating the clothing Shackleton would have worn in the early years of the last century; in the other they climbed Mount Elbrus (5642m) in Russia using gear that Mallory and Irvine would have used on his final Everest expedition in 1923. 

Mt. Elbrus - old and new mountaineering clothing

I asked Hugo to tell me more:

1. In 2014 you and your brother undertook an expedition to Greenland. What were the aims of the expedition?

We set out to cross the Greenland ice cap (east-west) and to find out how hard it was to be an explorer 100 years ago, as 2014 was the centenary year that Shackleton departed for his Endurance expedition. We used replica clothing, kit and equipment and food as we wanted to highlight the performance of Shackleton’s kit and compare it to todays modern equivalent.

Being twins means we can conduct these tests without bias and due to the fact we’re twins means we should technically be identical and therefore any difference in the results from the scientific research conducted on the trips should tell an interesting story.

Greenland

2. What are the requirements of clothing used in polar conditions?

The number one rule is to have clothing that keep you warm. If you can’t keep your body warm then you’re not going to last very long. Secondly, breathability; if you sweat too much in the cooler extremes of our planet your clothing will freeze and become inefficient. And thirdly, layering; this keeps your temperature more satiated as well as offering better comfort and mobility – vital when you have a range of activities and tasks to complete on an expedition.

Greenland - old and new clothing technologies

3. Please describe the older and new clothing. What are the main differences in appearance and functional terms?

The older clothing, as you can imagine, is made from natural materials: wool and cotton. Jumpers and base layers are all wool while outer jackets, combined with lanolin, can make effective and breathable outer shells. You won’t find any zips either. The early explorers used buttons simple for the fact that zips weren’t invented! The modern kit is lightweight, colourful and mostly synthetic unless you find a manufacturer who knows the importance of natural fabrics when designing base layers. Feather ‘down’ jackets have now largely replaced the 'woolly-pully' while plastics and modern technology has allowed for more features and performance which is more forgiving to the user.

Mt Elbrus

4. Who designed the older clothing and where was it made? What materials were used?

For our Greenland crossing, we managed to get the clothing from Tim Jarvis’s expedition which was used to recreate Shackleton’s journey from Elephant island to South Georgia. The traditional pulk (all nine feet of her) was hand made by Roger Daynes at Snowsled Polar.

The Mallory clothing for the Mt Elbrus climb was made by Barrington Ayre using gabardine to recreate the outer layers. The mountaineering boots were made by Crockett & Jones boots maker [images below]. What you also have to remember is that early mountaineers used almost identical kit as their earlier polar counterparts.
"It’s surprising to see how well the traditional materials and clothing fared against the modern equivalent"
5. Did each brother wear one type of clothing for the expedition, or were you each able to try new and old?

Ross wore the traditional Shackleton clothing in Greenland while Hugo wore the Mallory clothing and kit. Doing these expeditions allowed us to really get into the mind set of these early explorers so we didn’t want to swap our kit and try the modern equivalent. This also helped with the scientific and physiological testing. Having used the traditional and modern clothing in cold environments it’s surprising to see how well the traditional materials and clothing fared against the modern equivalent.

Greenland - new and old-style pulks

6. What sort of conditions did you have in which to test the clothes?

The conditions experienced in the polar environments of Greenland weren’t unusual and it wasn’t uncommon for the temperature to hit 30 below. Taking into consideration the wind speed, it felt much colder. The conditions on Mt Elbrus weren’t hugely different, freezing winds with temperatures around -15, but the main battle was with the high altitude. This makes it much harder for your body to stay warm. Temperatures weren’t as cold but taking into account the high altitude it felt as cold as Greenland.

7. What were your conclusions?

The traditional clothing used by those early explorers was certainly up to the job of keeping them alive. The clothing allowed for warmth, mobility and protection while also allowing breathability. The one major down fall was the weight of all the clothing compared to the modern equivalent.

8. What lessons could be learned for future expeditions and the design of modern clothing?

I think one lesson to learn for future expeditions is to keep it natural! Using natural fibres and materials give that added performance such as wicking and breathability. I’d also say that the zipper is something I’d want to keep over buttons but then you learn about your clothing systems and kit the more you explore so the more you get out into cold environments the more you’ll learn about what kit and clothing systems work for you.

Traditional cleated boots (right) made by Crockett & Jones for the Mt Elbrus climb

9. Unfortunately the Greenland expedition ended prematurely - what happened?

Hugo’s knee became increasingly painful over the first two weeks of the expedition, eventually leaving him unable to continue with the expedition. Due to safety issues we were helicoptered off the ice cap at Dye 2 radar station.

10. What's next for the Turner Twins?

We will be continuing with our series of world first expeditions by aiming to reach another Pole of Inaccessibility later this year. We’ve reach two of these so called Poles of Inaccessibility (Australia and South America), which is defined as the furthest inland point from any coastline on a particular continent. We’ll continue to create unique content for our partners while attempting to reach more Poles of Inaccessibility, so we hope to announce the next project soon.

Old meets new on Mt Elbrus - wearing a Breitling Emergency watch

In the image above, one of the twins wears a very un-early-twentieth-century watch. The Breitling Emergency watch acts as an emergency beacon and is commonly used by pilots, adventurers and sailors. Its dual frequency transmitter is compliant with the specifications of the Cospas-Sarsat international satellite alert system and serves to both issue alerts and to guide search and rescue missions. 

The Breitling Emergency

In a follow-up to this feature I'll be looking in more detail at the older-style clothing worn by the twins.

Links
The Turner Twins and follow them on Instagram and Twitter.
Breitling Emergency
Barrington Ayre
Crockett & Jones
Wings for Life World Run
Grey Fox photoshoot looking at brands using natural fabrics for outdoorwear

This is an unsponsored post.
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Labels: People, vintage clothes

Goodwood Revival - everything a man needs

Saturday, 13 September 2014

If I were a perfumer charged with creating a new man's fragrance it would have a base of fresh upland air laced with a sea breeze, hints of warm grass, pipe tobacco and barbecue smoke and a dash of warm car leather. Above this would hang the sweet and stirring scent of hot motor oil, vapourised by the overheated and over-revving engine of a 1930s racing Bugatti. Finally I would add hints of floral and citrus from the perfumes of passing well-dressed and elegant women. 

Or maybe I'd just go to Goodwood Revival, taking place this weekend.



This beautiful woman apologised for getting in the picture - she thought I was photographing the car!





At Goodwood Revival you'll experience all the above, with the welcome addition of two further senses. The tearing-calico sound of vintage racing cars, pushed to the limit by their proud owners and the sight of beautifully-dressed and elegant women for whom the forties and fifties were the height of flattering femininity (what's happened since to hide women's natural curves?) Goodwood provides all the elements of the perfect weekend for a man. 

And I haven't mentioned the Battle of Britain Memorial flight, with the steady bass of Rolls Royce Merlin engines droning overhead, or the sinister whisper of early jet fighters such as the Gloster Meteor or the Canberra bomber.

I was at Goodwood Revival as a guest of Private White VC, those Manchester manufacturers of casual menswear, who had a couple of cars racing on the track (below). They are, of course, as British in style as Goodwood Revival itself.

Links -
Private White VC
Goodwood Revival


Nick Ashley, designer, and some of the Private White VC team


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Labels: Goodwood Revival, motor racing, Private White VC, vintage clothes

Rowing Blazers by Jack Carlson: a book review for Henley

Tuesday, 1 July 2014

ROWING BLAZERS is a celebration of the jaunty symbols of team spirit flaunted by rowers at Henley (which starts this week) and other regattas. Written by Jack Carlson, who has rowed for the USA and Oxford in the Boat Race, so will know a blade from a rigger, the book is beautifully illustrated with photographs by F.E. Castleberry. Incidentally, although billed as a book about the blazer, it's also a fascinating history of many rowing clubs of the world.


I rowed at one of the schools mentioned in the book and remember the magnificence of the blazers sported by the 1st and 2nd Eights. Like war paint, a garish blazer is designed to strike fear into the opposition before their boats are even in the water. It does this by oozing tradition, history, club and sporting elitism and privilege - and why not; as long as it's not taken to seriously? The bright colours also helped spectators to identify crews in the confusion of a busy regatta. 


Two things struck me. Firstly, how little the blazer has changed since worn by early crews in the nineteenth and early twentieth centuries. In this, of course, blazers reflect the slow evolution of classic menswear. Indeed, some of the blazers shown look old enough to have been worn by the grandfather of the present owner. Secondly, I had assumed that rowing blazers would be a UK and US thing. However, I was surprised how wholeheartedly they have been adopted, humour and fun included, by rowing clubs all over the world.

I particularly appreciated the note on tailoring of blazers; 'relatively unstructured, with patch pockets and a soft shoulder' just about sums it up. There is also brief mention of the adoption of the blazer by mods and the preppy movement. Today blazers form a part of menswear collections such as Hackett and Ralph Lauren - I hope they will never go away.

A big change in the rowing scene since my day is the welcome arrival of women to the sport - and they are shown wearing blazers as well as, if not better than, their male counterparts.

A book not only for every lover of rowing and its history, but for every lover of classic menswear and (of course) blazers. Published by Thames & Hudson, price £35.





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Labels: blazer, boating, book review, Henley, rowing, Rowing Blazers, vintage clothes

My Sister's Wedding - stylish guests and venue

Saturday, 24 August 2013

My sister, Carole, was married this last week. A photographer, she loves vintage and dancing and there were so many stylishly-dressed guests that I thought it merited a post. Some of the men were wearing suits from the fifties and earlier.


The marriage was celebrated in an unrestored chapel at The Licensed Victuallers Asylum opened in 1833 in Southwark, London (now Caroline Gardens) - a superb venue for a wedding with a difference. I didn't take my camera, but Instagram allows a fascinating range of affects which flatter my photography skills.

I featured some of Carole's  Retro Girls photos here and see her website and blog.






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Labels: Carole Evans, fifties, photography, vintage clothes, wedding

Cycling jacket nostalgia

Wednesday, 24 April 2013

What did cyclists wear in the days before lightweight and breathable rain capes (or waterproof jackets as non-cyclists call them)? A common sight was the venerable Bertram Dudley Greenspot jacket, made in Yorkshire from Gaberdine or Poplin.


Happily, as modern cyclists discover the joys of tweed and cotton fabrics (when they're not blasting around the roads on lightweight racers wearing Lycra) there has been a revival of the vintage cycling jacket. Hilltrek has been selling a Ventile version for a while (called the Greenspot to honour the original) and Brooks sold an upmarket, Timothy Everest Ventile design, called the Criterion cycling jacket. Here they are.

Hilltrek Greenspot Ventile cycling jacket
Brooks Criterion jacket
An original Greenspot (photo eBay)


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Labels: Bertram Dudley Greenspot, Brooks, Hilltrek, Ventile, vintage clothes, vintage cycling

Vintage oatmeal herringbone Harris tweed suit

Monday, 18 February 2013

A vintage Harris tweed suit.

Pocket square (vintage): Hornets. Tie (many years old): Gap. Shirt: Charles Tyrwhitt.

Vintage suit, Harris tweed

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Labels: Harris Tweed, vintage clothes

Everest - inspiration from vintage images

Saturday, 2 February 2013

These images are from a poorly-printed book of photos of the 1952 Everest expedition. The colour is poor quality, but attractive. The mix of faded tones, bright blues, string vests (remember those?) and army surplus clothing convey a powerful period feel. Spot the climber wearing two wristwatches.

What's this got to do with style and fashion? Everything.






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Labels: Edmund Hillary, Mount Everest, vintage clothes

Anoraks - The return of the mountain smock

Sunday, 6 January 2013

A man's tastes in clothes are undoubtedly shaped by the pleasant experiences of life. As a schoolboy I loved mountains (and still do). In those days, kit was in transition between cotton Gaberdine and Ventile on the one hand and Nylon and Gore-Tex on the other.

My favourite jacket was a cotton climbing smock - I've no idea what make, but Belstaff, Selrig and others made similar. It was khaki with bright yellow lining, large chest pocket and a leg strap and I'm on the look-out for another. I just missed something similar on eBay recently. If anyone has one going spare, please let me know.

Edmund Hillary and friend

Belstaff sales brochure

These vintage jackets are being reproduced, inspired by the mountaineering anoraks and smocks of the mid-twentieth century - here are a few

Fjallraven
Merrow
Merrow
Norsea Rudda
Vintage smock - image eBay
Vintage Belstaff Dalesman


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Labels: anorak, Belstaff Dalesman, exploration, Fjallraven, Merrow, mountain smock, Norsea Rudda, vintage clothes
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